P3
a) Storyboard
c) Contingency Plan
Crew Absences
- If a member of our crew happens to be absent on the day of filming then we will double down on our roles with the remaining crew members. If we are unable to complete filming without them then we will focus on the work that does not involve that crew member and have all the other members of the team step up and fulfil their roles.
Footage Corruption
- In case any footage is corrupted during the unit, back up footage will be made as soon as filming is completed. The data wrangler will produce multiple copies of the footage and make sure that they are all saved in different places.
On set injury
- If a crew member or actor is injured on set production will be halted and that crew member will be immediately taken to the first aid centre at college where they can be treated.
Actor absent for SFX design
- If the actor needed for the SFX work is currently unavailable during filming then we will have to postpone the SFX sequence and film it separately. If the actors face is not needed for the SFX sequence then it is also possible for them to be replaced with a body double with the same SFX applied.
Make up failure
- The makeup artist will make sure that there is enough tools and equipment for the SFX. In the event that there is not enough tools/equipment needed for the scene, we will have to order knew equipment for the sequence and postpone filming for that scene.
d) Mock ups relevant to the chosen special effect
e/f) Detailed Risk Assessment
Information
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Title of activity
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“The Garage”
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Type of Activity
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Short Film
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Lead Department/Course
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120 Media, Unit 45
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Address of workplace/location (with postcode)
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Garage, Long Road Sixth Form, Cambridge CB2 8PX
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Date(s) or period Risk Assessment covers:
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20/11/17
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Risk Assessor:
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Josiah Spencer/ Joe Murphy
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Role:
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Gaffer/Director
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Email:
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Josiah120media@gmail.com
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Mobile:
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Lead Student:
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Joe Murphy
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Role:
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Director
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Email:
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Joemurphy120media@gmail.com
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Mobile:
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Lead Tutor:
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Sophie
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Role:
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Camera Operator
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Email:
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Mobile:
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Health and Safety Responsible Person:
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Josh Beach
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Role:
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1st Assistant Director
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Email:
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Mobile:
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Brief Description of the Activities to be Undertaken:
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Filming will be undertaken in the Long Road work shop and SFX prosthetic work will be performed on the actor’s finger.
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List Experts Engaged: Pre-vetted contractor and supplier: e.g. Armorer, Catering, Diving, Fight Arranger, Gaffer, Grip, Lighting, Rigger, Stunt co-ordinator, Transport, SFX etc.
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· Gaffer
· Grip
· Lighting
· Makeup Artist
· 1st AD
· Cinematographer
· Actor
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Access and Egress General
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Access and Egress in Studio
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Adventure/High Risk Sports
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Aerial Filming
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Airfield, filming at
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Alcohol/Smoking/Drugs
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Animals, filming with
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Audience
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Boats, filming on
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Camera cranes/jibs
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Camera Operations
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Cameras - filming from Vehicles
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Camera Ops - Steadicam
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Candles
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Catering
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Children, working with
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Cold Weather
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Confined Spaces, filming within
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CoSHH
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Disabled People
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Display Screen Equipment
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Diving
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Domestic Dwelling, filming at
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Driving
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Electricity (General)
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Electricity (in Studio)
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Fight Scenes, managing
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Filming Outdoors
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Fire/Flammable Materials
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Food, use of
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Generator, use of
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Harbour/Port, filming at
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Hoists/Hydraulic Platforms
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Horses, filming with
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Hostile Environments
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Information Security
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Kitchens
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Ladders/Ladderpods
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Locations & Temporary Studios
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Location Lighting
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Lone Working
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Make Up & Costumes
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Manual Handling
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Model Aircraft
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Night Filming
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Noise
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Paragliding
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Props
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Railways, filming at
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Revolves
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Rigging
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Rostra & Risers
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Scaffolding, use of
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Scenery: Construction/Design
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Scenery: Electricity
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Scenery: Manual Handling
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School, filming at
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Scuba Diving
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Sharps
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Slips, Trips & Falls
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Snow Effects
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Special Effects
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Smoke Effects, use of
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Sports general
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Strobe Lighting
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Stunts
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UAV (Drones), use of
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Unoccupied/Derelict Locations
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Unprotected Edge
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Vehicles
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Violence, risk of
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Vounteers, use of
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Water, as a Prop/Effect
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Weapons
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Weather
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Wire Work/Flying Ballet
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Working Outside UK
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Working Patterns/Hours
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Working On/Near to Water
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Young Persons
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OTHER
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ACCESS & EGRESS General
Failure to ensure and maintain sound access and egress arrangements at all filming locations, could result in:
§ Obstructions / blocked exit routes
§ Slips
§ Trips
§ Collisions with passing vehicles or pedestrians
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Who is responsible
Cast, Crew, Public
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· The emergency procedures will be obtained from the location contact and strictly followed.
· Complete a safety induction for crew required to work on the roof in advance of the shoot.
· Maintain access for emergency vehicles at all times - this includes the general filming activities and the parking of all technical
vehicles required on site.
· Exercise good housekeeping procedures at all times.
· Minimize cables as much as possible. Ramped, matted or flown where necessary. Run neatly into curbs, grass verges, etc.
taking extra care not to damage any shrubs, grass lawns, etc.
· Spillage / wet floor procedures in place.
· Care taken by all when at location and awareness maintained of the potential hazards that may be present throughout the
location.
· Appropriate vehicles will be deployed (with competent drivers) to transport personnel and equipment to location.
· For the getting in and out of tech equipment to and from filming locations, production will proceed with caution, and where
applicable will schedule vehicle movements.
· Traffic management systems and, where applicable, road closures will be deployed where production use and or film on public
paths streets/roads. Segregate the public / remaining residents from productions’ filming activities.
· Anyone controlling the road will wear hi-vis, and anyone working near the road will maintain a safe distance from it.
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SLIPS, TRIPS AND FALLS
§ Spillage of wet and dry substances
§ Trailing cables
§ Miscellaneous rubbish, e.g. plastic bags, rugs/mats
§ Poor lighting
§ Slippery surfaces
§ Change from wet to dry floor surface
§ Changes of level
§ Slopes
§ Smoke/steam obscuring view
§ Unsuitable footwear
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Cast, Crew
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· Clean spills up immediately, if a liquid is greasy, make sure a suitable cleaning agent is used.
· After cleaning, the floor can be wet for some time; dry it where possible.
· Use appropriate barriers to tell people the floor is still wet and arrange alternative bypass routes.
· Position equipment to avoid cables crossing pedestrian routes, use cable covers to fix securely to surfaces, restrict access
to prevent contact.
· Keep areas clear, remove rubbish and do not allow it to build up.
· Suitable footwear to be worn.
· Adequate working lights will be provided for the night shoot and use made of portable lighting. Signage will also be highlighted ensuring the public have been informed.
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OTHER
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Cast, Crew
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· The public is not to be disturbed or hindered
· No crew, equipment or props will block any exits or doorways
· Care will be taken never to shine any lights towards vehicle traffic so as not to blind them
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Noise levels
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Cast, crew
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· Keep the level of noise to a low
· Crew will not speak over each other
· Crew will be aware of their surrounding and will not disturb others
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Fire/ Flammable
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cast, crew
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· crew will not bring any lighters or matches
· if fire breaks out proceed to the closest possible exit and seek assistance
· do not turn on anything that is not needed
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g) Location Recce
i) Other Legal Requirements
Issue
|
Solved or justified?
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Filming Buildings
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Buildings are protected by copyright under
English law but there is a specific exception which permits you to take a
photograph or film a building without infringing its copyright.
permission is not required from the owners of
the building to. This gives us the right to film on location of our own
accord. you should ensure this right is included in your license agreement.
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Filming People
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If the film was published featuring an
individual without their given consent, that would be a breach of that individual’s
right to respect for their private life.
In order to avoid a situation such as this,
before the release of the film, direct consent from anybody appearing on
camera needs to be
properly obtained by signing an agreement
form.
There needs to be a list of everyone
appearing onscreen. Making it easier to identify who should and shouldn’t be
in the film and who needs to give their consent.
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Media Insurance
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All productions, need proof of Public
Liability Insurance in order to receive permission to film or carry out
commercial photography.
Since the project is
part of the coursework, all insurance will be covered by Long Road Sixth Form
college.
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Copyright Infringement
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Copyright infringement does not apply to the
use of photography of filming.
A building on public display is not infringed
by making a film, photograph, broadcasting a visual image or making a graphic
work representing it.
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j) Compliance with relevant health and safety requirements
k) Following Safe Working Practices














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